Panic At The Disco All Songs

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At The Disco sheet music such as '2018 Piano Mashup', 'High Hopes' and 'Dying in LA', or click the button above to browse all Panic! At The Disco sheet music. At The Disco sheet music. Download our free apps for iOS, Android, Mac, and PC and interact with your sheet music anywhere with in-app transposition, text & highlighter markup and adjustable audio/video playback.

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(Chorus)
Had to have high high hopes for a living
Shooting for the stars when I couldn't make a killing
Didn't have a dime but I always had a vision
Always had high high hopes
Had to have high high hopes for a living
Didn't know how but I always had a feeling
I was gonna be that one in a million
Always had high high hopes

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(Verse 1)
Mama said
Fulfill the prophecy
Be something greater
Go make a legacy
Manifest destiny
Back in the days
We wanted everything, wanted everything
Mama said
Burn your biographies
Rewrite your history
Light up your wildest dreams
Museum victories
Everyday
We wanted everything, wanted everything

(Pre-Chorus)
Mama said don't give up, it's a little complicated
All tied up, no more love and I hate to see you waiting

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(Chorus)
Had to have high high hopes for a living
Shooting for the stars when I couldn't make a killing
Didn't have a dime but I always had a vision
Always had high high hopes
Had to have high high hopes for a living
Didn't know how but I always had a feeling
I was gonna be that one in a million
Always had high high hopes

(Verse 1)
Mama said
It's uphill for oddities
The stranger crusades
Ain't ever wannabes
The weird and the novelties
Don't ever change
We wanted everything, wanted everything
Stay up on that rise
Stay up on that rise and never come down
Stay up on that rise
Stay up on that rise and never come down

(Pre-Chorus)
Mama said don't give up, it's a little complicated
All tied up, no more love and i hate to see you waiting
They say it's all been done but they haven't seen the best of me, eh eh eh
So I got one more run and it's gonna be a sight to see, eh eh eh

(Chorus)
Had to have high high hopes for a living
Shooting for the stars when I couldn't make a killing
Didn't have a dime but I always had a vision
Always had high high hopes had to have high high hopes for a living
Didn't know how but I always had a feeling I was gonna be that one in a million
Always had high high hopes

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About Panic! at the Disco

There was a time when music from Las Vegas conjured up images of Liberace, the cape-wearing Elvis, and the sound of drum rolls that accompanied showgirls as they kicked up their gams and flung off their garments. Despite this shtick working its magic on the Strip, the first germ of the idea of what would become Panic At the Disco was planted by two kids oblivious to everything but the sounds of Blink-182 heard on strip mall loudspeakers in the distant suburbs surrounding Sin City. Cofounders Ryan Ross (guitar) and Spencer Smith (drums) eventually pulled in a few more of their high school pals (Brendon Urie and Brent Wilson) to complete the lineup. They experimented with original songs (as practiced in Spencer's grandmother's living room), nearly half of which would end up on their debut release, A Fever You Can't Sweat Out. How did the music industry track down these innovative suburban high school talents? After hearing that Pete Wentz, bass player for the emo success story Fall Out Boy, was starting a new label, guitarist Ryan sent him a link to their website. Amazingly, after a few sampled tracks, this e-mailed URL led to being signed to Wentz's Decaydance/Fueled by Ramen records in 2005. Panic! At the Disco stand out amidst their labelmates by incorporating rapid-fire synths and drum machines into their high-energy melodies, along with not-so-rock 'n' roll instruments like a Vaudevillian piano and accordion.Bebop Digital

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There was a time when music from Las Vegas conjured up images of Liberace, the cape-wearing Elvis, and the sound of drum rolls that accompanied showgirls as they kicked up their gams and flung off their garments. Despite this shtick working its magic on the Strip, the first germ of the idea of what would become Panic At the Disco was planted by two kids oblivious to everything but the sounds of Blink-182 heard on strip mall loudspeakers in the distant suburbs surrounding Sin City. Cofounders Ryan Ross (guitar) and Spencer Smith (drums) eventually pulled in a few more of their high school pals (Brendon Urie and Brent Wilson) to complete the lineup. They experimented with original songs (as practiced in Spencer's grandmother's living room), nearly half of which would end up on their debut release, A Fever You Can't Sweat Out. How did the music industry track down these innovative suburban high school talents? After hearing that Pete Wentz, bass player for the emo success story Fall Out Boy, was starting a new label, guitarist Ryan sent him a link to their website. Amazingly, after a few sampled tracks, this e-mailed URL led to being signed to Wentz's Decaydance/Fueled by Ramen records in 2005. Panic! At the Disco stand out amidst their labelmates by incorporating rapid-fire synths and drum machines into their high-energy melodies, along with not-so-rock 'n' roll instruments like a Vaudevillian piano and accordion.

About Panic! at the Disco

There was a time when music from Las Vegas conjured up images of Liberace, the cape-wearing Elvis, and the sound of drum rolls that accompanied showgirls as they kicked up their gams and flung off their garments. Despite this shtick working its magic on the Strip, the first germ of the idea of what would become Panic At the Disco was planted by two kids oblivious to everything but the sounds of Blink-182 heard on strip mall loudspeakers in the distant suburbs surrounding Sin City. Cofounders Ryan Ross (guitar) and Spencer Smith (drums) eventually pulled in a few more of their high school pals (Brendon Urie and Brent Wilson) to complete the lineup. They experimented with original songs (as practiced in Spencer's grandmother's living room), nearly half of which would end up on their debut release, A Fever You Can't Sweat Out. How did the music industry track down these innovative suburban high school talents? After hearing that Pete Wentz, bass player for the emo success story Fall Out Boy, was starting a new label, guitarist Ryan sent him a link to their website. Amazingly, after a few sampled tracks, this e-mailed URL led to being signed to Wentz's Decaydance/Fueled by Ramen records in 2005. Panic! At the Disco stand out amidst their labelmates by incorporating rapid-fire synths and drum machines into their high-energy melodies, along with not-so-rock 'n' roll instruments like a Vaudevillian piano and accordion.

Similar Artists

3OH!3, Cute Is What We Aim For, Monte Negro, The Academy Is. . ., The Hush Sound, fun.

Panic At The Disco All Songs 1 Hour

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About Panic! at the Disco

There was a time when music from Las Vegas conjured up images of Liberace, the cape-wearing Elvis, and the sound of drum rolls that accompanied showgirls as they kicked up their gams and flung off their garments. Despite this shtick working its magic on the Strip, the first germ of the idea of what would become Panic At the Disco was planted by two kids oblivious to everything but the sounds of Blink-182 heard on strip mall loudspeakers in the distant suburbs surrounding Sin City. Cofounders Ryan Ross (guitar) and Spencer Smith (drums) eventually pulled in a few more of their high school pals (Brendon Urie and Brent Wilson) to complete the lineup. They experimented with original songs (as practiced in Spencer's grandmother's living room), nearly half of which would end up on their debut release, A Fever You Can't Sweat Out. How did the music industry track down these innovative suburban high school talents? After hearing that Pete Wentz, bass player for the emo success story Fall Out Boy, was starting a new label, guitarist Ryan sent him a link to their website. Amazingly, after a few sampled tracks, this e-mailed URL led to being signed to Wentz's Decaydance/Fueled by Ramen records in 2005. Panic! At the Disco stand out amidst their labelmates by incorporating rapid-fire synths and drum machines into their high-energy melodies, along with not-so-rock 'n' roll instruments like a Vaudevillian piano and accordion.Bebop Digital

Similar Artists

3OH!3, Cute Is What We Aim For, Monte Negro, The Academy Is. . ., The Hush Sound, fun.
and 28 other albums

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